International Federation of Film Archives Subject Headings

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  2. E: 104 terms
  1. E.C. and the cinema USE EUROPEAN UNION AND THE CINEMA
  2. E.E.C. and the cinema USE EUROPEAN UNION AND THE CINEMA
  3. E.U. and the cinema USE EUROPEAN UNION AND THE CINEMA
  4. Eady levy USE GOVERNMENT AID/UK
  5. Early cinema USE HISTORY OF CINEMA. SILENT PERIOD/1895-1900
  6. EARP [WYATT] IN FILMS
  7. East Asian countries USE FAR EASTERN COUNTRIES
  8. EASTERN EUROPEAN COUNTRIES
  9. Eating in films USE FOOD IN FILMS
  10. ECCENTRICITY IN FILMS
  11. ECOLOGY FILMS
  12. Economic crisis and the cinema USE ECONOMICS AND THE CINEMA
  13. ECONOMIC CRISIS IN FILMS
  14. ECONOMICS AND THE CINEMA
  15. ECOSPHERE
  16. EDITING
  17. EDITING EQUIPMENT
  18. EDITORS
  19. EDUCATION AND THE CINEMA
  20. EDUCATION IN FILMS
  21. EDUCATION, FILM
  22. EDUCATION, USE OF FILMS IN
  23. Educational establishments in films USE EDUCATION IN FILMS
  24. EDUCATIONAL FILMS
  25. EFDO
  26. EFFECTS OF FILMS
  27. Effects of films on children USE CHILDREN, EFFECTS OF FILMS ON
  28. Eighties in films USE 1980's IN FILMS
  29. EINSTEIN [ALBERT] IN FILMS
  30. Eire USE REPUBLIC OF IRELAND
  31. EL SANTO IN FILMS
  32. Elderly in films USE AGED IN FILMS
  33. Electronic editing USE DIGITAL EDITING
  34. ELECTRONIC MEDIA AND THE CINEMA
  35. EMIGRANT FILM WORKERS
  36. EMIGRATION IN FILMS
  37. EMOTION IN FILMS
  38. Emotions, effects of films on USE PSYCHOLOGICAL EFFECTS OF FILMS
  39. Employment USE LABOUR
  40. ENDINGS OF FILMS
  41. Engineering films USE INDUSTRIAL FILMS
  42. England USE UNITED KINGDOM
  43. ENGLISH IN FILMS
  44. Entertainment tax USE TAXES
  45. Entertainment, Film as USE POPULAR CULTURE AND THE CINEMA
  46. ENVIRONMENTAL ISSUES AND THE CINEMA
  47. ENVIRONMENTAL ISSUES IN FILMS
  48. Ephemeral films USE NON-THEATRICAL DISTRIBUTION
  49. EPIC FILMS
  50. Episode films USE ANTHOLOGY FILMS
  51. EQUIPMENT
  52. ERITREAN WAR IN FILMS
  53. EROTIC FILMS
  54. EROTICISM IN FILMS
  55. ESCAPE IN FILMS
  56. Espionage films USE SPY FILMS
  57. ESSAY FILMS
  58. Essential films USE FILM CANON
  59. ESTONIA
  60. ETHICS AND THE CINEMA
  61. ETHICS IN FILMS
  62. ETHIOPIA
  63. ETHNIC GROUPS AND THE CINEMA
  64. ETHNIC GROUPS IN FILMS
  65. Ethnic minority cinema USE MINORITY CINEMA
  66. ETHNOGRAPHIC FILMS
  67. ETHNOGRAPHY AND THE CINEMA
  68. EUREKA AUDIOVISUEL
  69. EURO AIM
  70. EURODISNEY
  71. EUROPA CINÉMAS
  72. EUROPE IN FILMS
  73. EUROPEAN CINEMA AND TELEVISION YEAR
  74. European Community and the cinema USE EUROPEAN UNION AND THE CINEMA
  75. EUROPEAN COUNTRIES
  76. European Economic Community and the cinema USE EUROPEAN UNION AND THE CINEMA
  77. European Film Distribution Office USE EFDO
  78. EUROPEAN SCRIPT FUND
  79. EUROPEAN UNION AND THE CINEMA
  80. EVENT CINEMA
  81. EVIL IN FILMS
  82. EXECUTIVES
  83. EXHIBITION
  84. EXHIBITION FOR THE TRAVELLING PUBLIC
  85. EXHIBITION OF SILENT FILMS
  86. EXHIBITIONS, FILM
  87. EXHIBITORS
  88. Exiled film workers USE TRANSNATIONAL FILM WORKERS
  89. Exiles in films USE MIGRATION IN FILMS
  90. EXISTENTIALISM AND THE CINEMA
  91. EXOTICISM IN FILMS
  92. EXPANDED CINEMA
  93. EXPERIMENTAL FILMS
  94. Exploitation USE EXHIBITION
  95. EXPLOITATION FILMS
  96. EXPLORATION FILMS
  97. EXPLOSIONS IN FILMS
  98. EXPORT OF FILMS
  99. EXPOSURE METERS
  100. EXPRESSIONISM
  101. EXTRAS
  102. Extravagance in films USE ECCENTRICITY IN FILMS
  103. EYES IN FILMS
  104. Eyestrain USE PHYSIOLOGICAL EFFECTS OF FILMS