International Federation of Film Archives Subject Headings

  1. PACIFIC ISLANDS
  2. PACIFIC ISLANDS IN FILMS
  3. PACIFISM IN FILMS
  4. PAINTING AND THE CINEMA
  5. PAINTING IN FILMS
  6. PALESTINE
  7. PALESTINE IN FILMS
  8. Palestinian Israeli conflict in films USE ARAB-ISRAELI CONFLICT IN FILMS
  9. PANAVISION
  10. PANRAMA
  11. Pantomime and the cinema USE THEATRE AND THE CINEMA
  12. Paper prints USE PRESERVATION OF FILMS
  13. Paper records USE DOCUMENTATION
  14. Parables in films USE ALLEGORY IN FILMS
  15. PARANOIA IN FILMS
  16. PARIS
  17. PARIS IN FILMS
  18. PARKER [CHARLIE] IN FILMS
  19. PARODY
  20. Passion in films USE LOVE IN FILMS
  21. PATENTS
  22. PATHOS IN FILMS
  23. Patronage USE SPONSORING
  24. Peasants in films USE RURAL CHARACTERS IN FILMS
  25. PEOPLE'S REPUBLIC OF CHINA
  26. PEOPLE'S REPUBLIC OF THE CONGO
  27. PEPLUM FILMS
  28. PERCEPTION
  29. PERFORATIONS
  30. PERFORMANCE ART
  31. Performance capture USE MOTION CAPTURE
  32. PERFORMERS IN FILMS
  33. PERFORMING ARTS AND THE CINEMA
  34. Periodicals Indexing Project USE INTERNATIONAL INDEX TO FILM PERIODICALS
  35. PERIODICALS, FILM
  36. PERRY MASON IN FILMS
  37. PERSONALITIES IN FILMS
  38. PERVERSION IN FILMS
  39. PHANTOM OF THE OPERA IN FILMS
  40. PHENOMENOLOGY AND THE CINEMA
  41. PHILIP MARLOWE IN FILMS
  42. PHILO VANCE IN FILMS
  43. PHILOSOPHY AND THE CINEMA
  44. PHOTOGRAPHERS IN FILMS
  45. PHOTOGRAPHY
  46. PHOTOGRAPHY AND THE CINEMA
  47. Photography, film USE CINEMATOGRAPHY
  48. Physicians in films USE DOCTORS IN FILMS
  49. PHYSIOLOGICAL EFFECTS OF FILMS
  50. PICASSO [PABLO] IN FILMS
  51. Pierrot in films USE CLOWNS IN FILMS
  52. Pin-ups USE STILLS
  53. PINK PANTHER IN FILMS
  54. PIONEER FILM WORKERS
  55. PIRACY
  56. Pirates in films USE SWASHBUCKLERS IN FILMS
  57. PITCHING
  58. Pixel resolution USE IMAGE RESOLUTION
  59. PLACE IN FILMS
  60. Places of production USE PRODUCTION CENTRES
  61. PLAGIARISM
  62. Planes in films USE AVIATION IN FILMS
  63. Plays into films USE ADAPTATIONS
  64. PLOT ELEMENTS IN FILMS
  65. POETIC REALISM IN FILMS
  66. POETRY AND THE CINEMA
  67. POINT-OF-VIEW
  68. Polar USE POLICE FILMS
  69. POLAR CINEMATOGRAPHY
  70. POLICE FILMS
  71. POLICE IN FILMS
  72. POLITICAL CORRECTNESS IN FILMS
  73. POLITICAL FIGURES IN FILMS
  74. POLITICAL FILMS
  75. Political movements and the cinema USE POLITICS AND THE CINEMA
  76. POLITICS AND THE CINEMA
  77. POLITICS AND THE CINEMA/FRANCE
  78. POLITICS AND THE CINEMA/SOUTH AFRICA
  79. POLITICS AND THE CINEMA/USA
  80. POLITICS IN FILMS
  81. POP MUSIC AND THE CINEMA
  82. POP MUSIC IN FILMS
  83. POPES IN FILMS
  84. POPEYE IN FILMS
  85. POPULAR CULTURE AND THE CINEMA
  86. POPULAR MUSIC AND THE CINEMA
  87. POPULAR MUSIC IN FILMS
  88. Popular science films USE SCIENTIFIC FILMS
  89. Popularity of cinema USE AUDIENCE RECEPTION
  90. POPULISM IN FILMS
  91. Pornochanchada USE PORNOGRAPHIC FILMS
  92. PORNOGRAPHIC FILMS
  93. PORNOGRAPHY AND THE CINEMA
  94. PORNOGRAPHY IN FILMS
  95. Portable devices and the cinema USE MOBILE DEVICES AND THE CINEMA
  96. Portmanteau films USE ANTHOLOGY FILMS
  97. PORTS IN FILMS
  98. Post colonialism and the cinema USE COLONIALISM AND THE CINEMA
  99. POST-PRODUCTION
  100. Post-Soviet cinema USE FORMER U.S.S.R.
  101. POST-SYNCHRONISATION
  102. Postage stamps USE MEMORABILIA
  103. POSTCARDS
  104. POSTERS
  105. POSTMODERNISM AND THE CINEMA
  106. POVERTY ROW
  107. PRAGUE
  108. PRE-CINEMA HISTORY
  109. PRE-PRODUCTION
  110. Pregnancy in films USE CHILDBIRTH IN FILMS
  111. PREHISTORIC ANIMALS IN FILMS
  112. PREMIERES
  113. PRESERVATION OF FILM MUSIC
  114. PRESERVATION OF FILMS
  115. PRESERVATION OF POSTERS
  116. PRESERVATION OF SOUND
  117. PRESERVATION OF VIDEO
  118. PRESIDENTS [USA] IN FILMS
  119. PRESLEY [ELVIS] IN FILMS
  120. PRESS AND THE CINEMA
  121. PRESS BOOKS
  122. PRESS IN FILMS
  123. PRESS KITS
  124. Press screenings USE PREVIEWS
  125. PREVIEWS
  126. PRIESTS IN FILMS
  127. Primitive cinema USE HISTORY OF CINEMA. SILENT PERIOD/1895-1900
  128. PRIMITIVE CULTURES IN FILMS
  129. PRINTING
  130. PRISON FILMS
  131. PRISONS, USE OF FILMS IN
  132. PRIVATE COLLECTIONS
  133. Private eyes in films USE DETECTIVES IN FILMS
  134. PRIVATE HOME THEATRES
  135. Process photography USE BACK PROJECTION
  136. Processing USE PRINTING
  137. PRODUCERS
  138. PRODUCING
  139. PRODUCT PLACEMENT
  140. PRODUCTION
  141. Production budget USE PRODUCTION COSTS
  142. PRODUCTION CENTRES
  143. PRODUCTION CENTRES (T)
  144. PRODUCTION COMPANIES & STUDIOS
  145. PRODUCTION COMPANIES & STUDIOS/USA
  146. PRODUCTION COSTS
  147. Production deals USE PRODUCING
  148. Production design USE ART DIRECTION
  149. Production libraries USE STOCK SHOT LIBRARIES
  150. PRODUCTION MANAGERS
  151. PRODUCTION MANAGING
  152. PROFESSIONS IN FILMS
  153. Professors in films USE TEACHERS IN FILMS
  154. PROGRAMMING
  155. PROJECTION
  156. PROJECTIONISTS
  157. Projectors USE PROJECTION
  158. PROJECTS, FILM
  159. Promotion for films USE ADVERTISING FOR FILMS
  160. PROPAGANDA FILMS
  161. PROPAGANDA IN FILMS
  162. PROPERTIES
  163. Props USE PROPERTIES
  164. PROSTITUTES IN FILMS
  165. PROTESTANTISM AND THE CINEMA
  166. PRUSSIA IN FILMS
  167. Pseudo-documentaries USE MOCKUMENTARIES
  168. PSEUDONYMS
  169. PSYCHEDELIC CULTURE AND THE CINEMA
  170. PSYCHIATRISTS IN FILMS
  171. PSYCHOANALYSIS AND THE CINEMA
  172. PSYCHOLOGICAL EFFECTS OF FILMS
  173. PSYCHOLOGY AND THE CINEMA
  174. Psychology of films USE PSYCHOLOGY AND THE CINEMA
  175. Psychopathy in films USE MENTAL HEALTH ISSUES IN FILMS
  176. Public funding USE GOVERNMENT AID
  177. Public libraries and the cinema USE LIBRARIES AND THE CINEMA
  178. PUBLIC RELATIONS
  179. Publicity for films USE ADVERTISING FOR FILMS
  180. Punk rock films USE ROCK FILMS
  181. PUPPET DESIGN
  182. PUPPET FILMS
  183. PUSHKIN [ALEKSANDR] IN FILMS